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Founder's Take: A Reminder of What's Possible

Dwayne Betts and Rui Couceiro at Babell, Portugal

I read the Iliad in three days. The reading launched me into a fever dream, where instead of binge-watching Netflix, I lost myself in the familiar and unfamiliar world of Homer. I read while lying in bed, while riding in cars, while sitting in restaurants. Though there were parts of the story I knew, the Fagles translation was a wholly new landscape of sound and layering of ideas that I’d only glimpsed. The book-length poem that asks a reader to sit with an entire world on nearly every page teeming with the dead, the men they were on and off the battlefield, and the homes that war would prevent them from returning. The book became my companion. I didn’t read while sleeping but read while walking nearly 30,000 steps one Sunday afternoon. I read instead of eating, instead of sleeping. When Priam knelt beside the man who’d killed his son in combat, and kissed his hands, and begged for his departed son’s body, I wept.

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Resisting the Lines: Carrying Prison Wherever You Go

By James Davis III, Communications Associate, Freedom Reads
Freedom Library on display at March Forth premiere, Tribeca Festival 2026 (Photo: Freedom Reads)

Taking the train from New Haven to Grand Central Station for the first time was the first step of my journey to Tribeca. Then again, maybe my first step was getting out of prison last July. Or maybe it was two years earlier, when I was granted a commutation and my 48-year sentence became 30. Being outside gave me access to a kind of freedom that Dwayne talks about throughout March Forth, a documentary about his incarceration as a juvenile. The film also raised questions that I still cannot answer: When does freedom truly begin for those of us released from prison? And what does it mean to be free when you carry prison with you wherever you go?

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Latest Episode

The Past's Presence: Jesmyn Ward

In today’s episode, Jesmyn Ward reads from her third novel, Sing, Unburied, Sing, which is at once a bildungsroman, a ghost story, an epic, and a road novel. In portraying the suck of Parchman Prison on the generations of one Mississippi family, Ward deftly explores how the real threat of incarceration haunts these psyches and, in turn, these familial relationships. In this moving conversation, Ward reflects on living with grief, on listening for communications from beyond our immediate reality, and on the central commitments of her work: to restore agency to the kinds of characters too often denied a voice—and to grant acceptance to the ones harder to forgive. (July 26, 2021)